88 Royalty-Free Audio Tracks for "Surface Noise"

Nice recording of the end of an album playing over and over. Eq'ed it for hum removal and enhanced 1k area. A nice "sticky" sound. Rhode nt1 16bit 44. 1 mono.

The couple seconds of crackle before the music starts on an old vinyl record. Recorded through usb into audacity from a sony pslx300usb usb stereo turntable.

A sound that mimics the noise of walking on grass. Created by dabbing a bunched up paper towel onto a hard surface.

Old vinyl piano song, vintage. A very old piano track i composed. Recorded and mastered through audio software, no factory samples. Recorded in ireland. Made by msfx.

Sound of leeds- sound libraryroland palmerjohan paezcurran brownjohn kennedykurt martinez.

Another nice recording of the end of an album playing over and over. Eq'ed it for hum removal and enhanced 1k area. A nice "sticky" sound. Rhode nt1 16bit 44. 1 mono.

Field recording made at one of boston's t stations, at the surface level, so there is no noise of trains approaching. Sounds mainly include crowd noise: people walking past with luggage and packages and conversing indistinctly.

78 rpm record disc at end of the track with the gramophone running out of power slowing downrecorded on zoom h5 with xy pack.

Lead in groove of a 7" single @ 45 rpm. Recording chain:. Pro-ject primary turntable with an ortofon om 5e cartridge→ onkyo stereo amplifier→ behringer uca202 audio interface→ laptop using audacity. Notched out some motor noise and selectively eliminated or lessened some other noises for aesthetic reasons.

Loud bell from wind-up 1950s spartus timer. Repeated four times. Electro-voice bk-1 microphone, miked close, on hard wooden surface. Some ambient room noise.

Wind-up 1950s spartus timer ticking for approximately 100 seconds. Electro-voice bk-1 microphone, miked very close, on soft surface. Some ambient room noise.

**pleace, be carefull and reduce volume. **. This is original sound of a razorblade scratching the surface of glas. This noise was created to make a painfull noise. Headphones recommended. Recorded with zoom h2n - slightly filtered and cut of useless frequencys below 2k.

I recorded my fingers an a cookie box, very close. Sounds a little bit like falling fruit onto a soft surface. Homerecording, so some very distant background noise.

Very loud, close recording of an old, partially functional wallensack reel-to-reel tape recorder. Recording includes the tape motor in operation and a piezo mic being dragged across the surface of the tape recorder. The recording has a fair amount of both background noise, and hum from the machine itself.

Droplets falling on a water surface, recorded with a gopro hero dipped underwater in a washtub, some background noise but i hope some find it useful. 48 khz, 16 bit stereo.

Slightly resonant clanging and pinging of me hitting the metal stairs of a reviewing stand used in a local parade. The mic is held very close to the surface, so there is very little environmental noise.

Microfone- shotgun shure vp89placa de áudio - behringer u-phoria umc404 hdbarulho seco de batida em metal; barulho de uma pessoa pulando em uma superfície de metal. Microphone- shotgun shure vp89audio board- behringer u-phoria umc404 hddry metal sound; noise of a person jumping on a metal surface.

Captain, we've had reports of a strong signal emanating from the surface of klumpok b. Time to investigate. Pulsating drone from various synth samples from my analog collection. Small amount of reverb and edited/multitracked looped in roxio sound editor.

I started recording a vinyl lp into my computer before realising that i hadn’t set the anti-skate properly and the needle was stuck in the lead-in groove. I trimmed this bit of snap crackle n’ pop and kept it in the hope that it might be useful for me or anyone else. Have fun.

Small ceramic tile, wet, being rubbed with a) rubber glove and b) finger (markers in file). Basic noise treatment added, but otherwise it is 'as recorded'. I used it for the sound of a person slipping on a wet surface as they struggle to get to their feet.

Foley movement of puzzle pieces being slid around, picked up and clicked into place on a wood surface. I used a zoom h4n and applied some noise reduction to get the room tone out. Very specific sound, hopefully gets some more use out of it.

Man taking a piss in a parking lot. The sound of the urine hitting a hard surface, pavement, in a suburban aural context with zipper at end. Recorded with zoom h2; field recording background has insect chirps and distant highway noise.

A close recording of me splashing about very gently in a basin of water. You can hear bubbles forming on the surface. Some birdsong and road noise in the background (but edited to remove the worst). Used as a layer for a dock ambience. Recorded with an akg c414 into a focusrite saffire pro 40.

Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic sound of music with all the hums and associated scratches. The music sounds like an old turn of the century carnival to me. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.

Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic humming, scratchy sound of a turntable turning. The steady rhythm had a very "bioshock infinite" feel to me, and i loved it. Nice to put under music to make it sound old. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.

A close up recording of an overheating usb slot-loading cd/dvd drive that repeatedly tries to spin up, but fails and makes some clicking noises. Note on low frequency sounds: i recorded this with a zoom h1n recorder at about 2cm distance from the drive slot. I held the recorder in my hand and rested my hand on the surface the cd drive was resting on, so there is somewhat of a mechanical connection between the drive's vibrations and the recorder. I believe this led to the low frequency parts of the recording. About halfway through the recording, i lifted the drive up with my other hand and held it at a 30degree angle to the surface and recorder. As you can hear in the recording, this made it spin up a little longer before failing and spinning back down.

I'm currently working on some musical ideas for a good friend's cartoon series and thought i'd upload this little experiment with an old vinyl of some mozart. I recorded the output of my deck and messed with the speed and pitch, as well reversing the audio and adding some distortion and other effects once it was in my daw. Sounds pretty creepy! if this proves popular i will upload some more of my "musical" experiments! enjoy!. My soundcloud: https://soundcloud. Com/mattcmusic.

It's a recording of a calcium-sandoz® forte/fuerte 500 mg effervescent tabled falling into a glass of water and dissolving. You can hear the tablet dropping into the water and water droplet hitting water surface back. After w while - co2 buubles start to appear creating noisy sound. The recording has a long natural fadeout and unfortunately some background noise. I leaved "silence" before the sound starts so you can de-noise the recording to your needs (i prefer audacity for denoisig). Recorded inside of my wardrobe for acoustic isolation using zoom h2 on a mic-stand. Recoded as 96khz/24-bit wav. Normalized, truncated and convertet do 16-bit flac using audacity. I've converted this to 16-bit as it still has plenty of noise and 24-bits would not be any better after normalization.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

Stereo recording of the lp "dance hall of shame"a silent record released by virgin records protesting censorship in music. From the sleeve:"if there is one lesson to be learned through our history, it's that freedom of speech has inevitable risks. But the alternative is slavery of mind, in a society empty of thought. If we value the progress of music and expression, we must accept that there will be music we dislike and lyrics that offend. Our responsibility lies in promoting legitimate argument and persuasion. If we do more than this, overstep our bounds with labeling and censorship, then our unwillingness to accept the risk of freedom leaves only one future to our children: no thinking. No talking. No music. ".

I wanted to find a good creative commons 0 sound effect of fingernails scratching on a wooden surface but i could find the exact thing i was looking for. So i recorded myself scratching my bedroom door with my fingernails using a recording app on my phone and edited it in audacity to remove breathing sounds, and to make the sound feel more heavy/deep, including some very faint reverb. Since i really wanted this i thought it might be useful for someone else! i hope someone else out there like me finds this somewhat useful. Theres a bit of a clicking noise at the end - i think from the recording process.

Around 2010, i circuit-bent a motorola cellphone and added a control surface to control the bends. Then i added an atari paddlewheel so its big potentiometer could be used to do pitchbends, and the result is an instrument i called the "sonic electronic ball breaker". It's got knives, quarterstaves, thor's lightning, sharp sticks, nuclear machineshotguns, and even some claws that come out to jab 'em. In this sample i'm going through and playing with the controls to see what i get. These sounds are pretty abrasive, but they work well when run through a bunch of effects.

Pistol fired outdoors with ricochet. Single shot, fairly close, with fast fadeout. Narrow stereo image, no panning, almost monophonic. Wholly synthesized. No weapon was fired in the making of this sound. It's an emulated sound effect of a sidearm gunshot with a cliche ricochet sound, like in the vintage western movies and ww2 films that they showed on tv when i was a kid. Can be used in a game, perhaps, or a none-too-serious vidclip. The sound of the pistol cartridge explosion is default flstudio kick, clap and snare slowed right down. A single tap of delay is added to lend an impression of echo off a middle distance hard surface. The ricochet noise was made with sytrus running as a vsti inside flstudio. It took an entire day of head scratching, oscillator tweaking and envelope mangling to get something that reasonably resembles a sound that i recall from the old movies. I think i'll shoot myself before i try something like this again. :). Plus the usual flstudio compressors, eq, reverb and delay - nothing tricky, just standard stuff.

Tapped both hand on the table to create two different noises from the beginning to the end.

The sound of a sharp object scratching along a metal surface. Like nails on a chalkboard but somehow worse.

Several crossbows fire and the arrows hit a rocky surface. This is a combination of public domain noises i put together.

The sound of the bottom of a ceramic mug, dragged over the metal grating of a coffee machine. It sounds like a sword drawn from a scabbard. Recorded using a zoom h6 in the kitchen. Applied a filter to remove unwanted low and very high frequencies. Also corrected the volume level to adjust all four recordings to the exact same level. There are some minor distracting noises - i assume from my shirt while moving the mug over the surface. Also a fan is very faintly audible in the background. If you are interested in a very clean recording of this sound, please let me know.

Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.